Tuesday, July 8, 2025

The Weight of a Soul

 

Part I

 

She didn’t know the man who killed her. But she lived long enough to describe her assailant to police. He was caught, tried, and convicted. Court-appointed psychiatrists said he was “easily confused” and had “little control over his emotions,” but no reason for the assault was ever given.

 

Her name was Kathryn Oliveros. She was twenty-three years old when she died, in October of 1965. Her face slashed, stabbed in the chest by a man she’d never met, until a chance confrontation upstairs at the Old College Inn, across the street from the Murphree Area dorms at the University of Florida in Gainesville.

 

Although family and friends mourned Kathryn, she would have been lost to history, except for one thing...

 

She wouldn’t leave.

 

When I was promoting concert events in the early 2000’s, one of the club-sized venues I used was called the Blowhole – part of the world famous party complex known as the Purple Porpoise. It was in the same building that had been the Old College Inn.

 

Many of the employees had stories about upended chairs falling off tables or televisions turning themselves on and off after hours – when there was no one else around. They’d get chills in the otherwise stifling hallway on the second floor that was now mostly used for storage. Some of them eventually refused to go upstairs.

 

They said it was because of Kathryn.

 

I used a couple of rooms off that upstairs hallway as a green room, dressing room and restroom for the headlining bands.

 

One time the lead singer of a band was trying to take a much-needed nap on the old couch in the green room. As their stage time approached, I went up the stairs to make sure the band was getting ready. In a sleepy haze the singer asked me if some woman had been walking up and down the hallway while he was trying to sleep. I assured him there had been no one. The stairway at the far end was locked. The near stairway had security posted at the door. “Wow,” he said. “That’s weird. I would have sworn there was some girl in a white dress walking up and down the hallway.”

 

Another time, a band was fresh off the tour bus for load-in and I was leading their orientation walk-through so they knew where to hang out and get ready. As I indicated the open door to a large, tiled room, one of them took a step forward but stopped with the other foot in mid-air just before he entered. “What happened in here?", he asked. I wasn’t sure what he meant. I made some joke that maybe one of the stagehands had recently taken a rancid crap. “No,” he said. “Something happened in here.” He refused to go in.

 

It was the bathroom where Kathryn had been stabbed.

 

I am not religious. I don't believe in an afterlife. Over the course of five years or so, I spent hundreds of hours in that upstairs area. I never had an experience that seemed supernatural. I never even got a chill. But I didn't know how to explain those events I had witnessed. Those band guys were not local. They would have had no way of knowing about… Kathryn.

 

Is it possible that some essence of a person is left behind in places they’ve been? In some cases, for decades? And in such a way that some people can detect that essence?

 

Part II

 

In 1907, a physician named Duncan MacDougall conducted an experiment. He selected nursing home patients who were close to death, and weighed them in the moments immediately before and after their demise. He determined there was a small, but measurable, weight loss that coincided with the moment of death. And he decided this slight difference in mass resulted from the departure of the spirit.

 

Thus, he had determined the weight of a soul.

 

Twenty-one grams.

 

That was the difference he had detected. Three quarters of an ounce. The mass that contains the essence of each of us.

 

The results of this quest have long since been debunked. But it didn’t matter. The whole affair reinforced the notion, long held by generations of believers, that the soul is a tangible thing.

 

Part III

 

Recently, a friend of mine died after a terrible illness. As people paid tribute on his Facebook page, I couldn’t decide what to write. But, I pictured him in my mind, and thought of a funny story about him, and I wrote…

 

“Your energy will continue to light the world.”

 

And then it hit me… Energy and mass and light are closely related. Isn’t that what Einstein told us?

 

Isn’t it logical that we leave a trail of atoms wherever we go? And, in some places, more than others? Skin cells, saliva, and the very air we exhale – especially when we sneeze. Or cough.

 

Or die.

 

I found a scientific journal article that calculated the number of cells in the average human at three-point-seven-two times ten to the thirteenth power. For those who are bad at math that's more than 37 trillion cells.

 

And don’t they all contain some essence of us? Some molecular thumbprint?

 

It’s an interesting question to ponder, especially when you realize no one really knows how memories work. The human brain is just a gelatinous mass of wonder, a chemical playground where things go on that we can’t even begin to understand.

 

Somewhere there is a tiny clump of neurons in my skull that knows my first-grade teacher was Mrs. Zebunka. But how does my brain retain that information, and retrieve it whenever I want it?

 

How can it conjure up an image of one of my earliest memories of my dad – him playing porpoise in the warm, shallow waters of White Lake in New Hampshire, while I rode like a papoose Poseidon on his back?

 

If someone else gained access to that clump of neurons, would they see the same thing?

 

At the moment we expire, do zillions of molecules go drifting off, and, since matter can’t be created or destroyed, do they continue to exist, carrying forth some essence of us? Something we could think of as part of our soul?

 

Did your last bite of food contain a tiny bit of Julius Caesar or Joan of Arc? Take a good, deep breath. Perhaps you’re inhaling a few molecules of Mother Theresa or Abraham Lincoln. Although, I suppose it’s equally likely you’re inhaling a bit of Genghis Kahn or Adolph Hitler.

 

Maybe some people have a different perception of those molecules that float all around. Maybe they can experience the memories contained in those cells.

 

Maybe they’ve seen Mrs. Zebunka?

 

But isn’t that really the essence of all us? The memories and experiences that make up our existence…?

 

Could it be that some of us have the ability to decipher the code contained in these wandering bits of other people? Could it be that we all have that ability but most of us just don't do it in our conscious state?

 

That would explain many things… Weird dreams. The sensation of déjà vu. Even random ghost sightings.

 

If that’s true, we’d have to face one important, additional question… What if the ghosts are actually inside us?




 

Saturday, June 14, 2025

In Memory of Brian Wilson

 

When my oldest sister was in high school, she sang in the chorus. We lived just outside of Boston then, and my father had finished off half of the basement into two bedrooms and I guess kind of a den. That's where the record player was. My sister would sit down there for hours practicing singing to certain records. Being a 9-year-old pain in the ass, of course, meant that I had to wander downstairs and bother her on occasion. 

 

When it was time to practice harmonies, she played two records in particular: Best of The Beach Boys Volume 2 and Surf’s Up. The songs were catchy, but it went deeper than that. Even my little punk ass noticed how pleasing the harmonies were. Lush and complicated. And delivered with incredible precision. 

 

I became a fan. 

 

Brian Wilson was my first musical hero. He was the genius behind the Beach Boys. The songwriter. The arranger. The producer. And a great singer with a lofty range that was clear and powerful even up into the falsetto.

 

Brian was a perfectionist. It's likely you've heard the song California Girls once or twice. While recording it in April of 1965, working with the legendary studio musicians known as the Wrecking Crew, it required 44 takes before Brian decided they had achieved a satisfactory recording of the backing tracks. God only knows how many takes it took to get the vocals.

 

By the time I was in middle school, I was reading Rolling Stone magazine regularly, whenever I could get my hands on one. I don't know, I must have read some mention of how brilliant the album Pet Sounds was, long before it ever achieved the mainstream appreciation it has now.

 

So I bought a copy.

 

Would it be fair to say it changed my life? Probably. 

 

Would it be fair to say it changed the future of popular music? I’d say, yes. Here are a few bits I stole from the internet…

 

“Pet Sounds revolutionized music production and the role of producers, especially through its level of detail and Wilson's use of the studio as compositional tool."

 

"It elevated popular music as an art form, heightened public regard for albums as cohesive works, and influenced genres like orchestral pop, psychedelia, soft rock, sunshine pop, and progressive rock/pop as well as the adoption of the synthesizer in popular music."

 

"The album also introduced novel orchestration techniques, chord voicings, and structural harmonies.”

 

Brian did this when he was 23 years old.

 

He’d begun hearing voices in his head when he was 20.

 

At some point, it was decided that he had schizoaffective disorder – which includes symptoms of schizophrenia and a mood disorder.

 

He struggled with mental illness for the rest of his life. 

 

Obviously, I can’t give you a complete bio here. He was a complicated and troubled man, but here’s the thing that always hits me… All his life, he had a simple goal; to communicate through his music to spread love and mercy to the world. 

 

After releasing an album by that name in 1988, that became his signature sign-off for any correspondence… Love and mercy.

 

If you haven’t already seen them, I recommend watching the 2021 documentary called Brian Wilson: Long Promised Road, and the movie from 2014 called Love and Mercy.

 

If you’ve never listened to the album Pet Sounds, I urge you to do so. As soon as possible. And I recommend you listen to it as Brian once said it should be heard, on headphones, in the dark, while high.

 

Brian Wilson died this morning. He was 82.